Kris Kristofferson: A Profound Experience

Last week I wrote about Diana Ross’ nearly perfect show. Although, that was not the only show I saw that weekend. Sunday I had tickets to see Kris Kristofferson as well.

It was sensory overload.

Now it’s easy to see the stark differences in Diana Ross and Kris Kristofferson. I hope this speaks to my diversity or mental instability. I went from turning upside down to hanging with Bobby McGee within 48 hours. That’s quite a stretch.

I received an email from a friend a few weeks ago with a link to Kristofferson’s show at The City Winery in NYC. Now I’m not a Kristofferson expert, but the tickets seemed irresistible. Oddly, I grew up watching A Star is Born, and I knew some of his songs. He reminded me of home, so I decided to buy.

Kristofferson left me speechless. I didn’t know what to say about his show, and I still don’t. The only word that I can find to describe his set is profound. Every note he sang, every lyric he wrote, every look he gave the audience was simply profound.

He sang a staggering 28 songs. These songs ranged from his hits like “Help Me Make It Through The Night” and “For The Good Times,” while also touching on some minor musical milestones. From the moment he began to sing I could not take my attention away from the stage.

During his show, he seemed to profess wisdom while singing the same songs he has sung for years. Instead of coming at them from just experience, his demeanor also led to advice. This concert was set in a winery and I felt like it was my grandpa and I having drinks together. Kristofferson wanted to give me advice so that I could have a better tomorrow.

The entire show told a story. It was a concept show. Although, I don’t think Kristofferson meant it in that way at all. Each song was a chapter. Every topic he sang about came to a head at the end of the show with the songs “The Pilgrim: Chapter 33,” “Sunday Mornin’ Comin’ Down,” “Jesus Was a Capricorn,” and “Why Me.” I believe these 5 songs, some of Kristofferson’s best, describe both the high and low of his life and the topics he struggles with. Life may be tough, but he is just happy to be alive.

It was a simple show. The stage was just adorned with Kristofferson, his guitar, and harmonica. What struck me the most in retrospect is how relevant his songs are today. They have passed over generations and he is still writing. He finds a way to explain timeless truths in a language that will never be antiquated.

Seeing him live is surreal and truly a profound experience.

 

Diana Ross: A Concert Review: It’s Her House

When it comes to defining superstar look no further than Diana Ross. From the elegance of her smile to her ageless vocals, she is the entire package.

Recently, I saw Ms. Ross’ during her mini-residency at New York City Center. Her final night was Saturday. This was my fourth time seeing Ms. Ross in concert and although my pocket-book feels pain, I feel completely blessed.

Ms. Ross started the concert out with her iconic 1980’s anthem “I’m Coming Out.” The energy in the room was magnetic, drawing all eyes to the stage as one began to hear her fragile, yet demanding voice. The atmosphere turned electric when she stepped on stage.

She quickly followed with a near chronological order of some of her biggest hits and fan favorites. She started out with the timeless tunes from her tenure with the Supremes. These songs have lost none of their splendor with Ms. Ross. It’s nearly impossible not to sing along with her with the likes of “Baby Love,” “You Can’t Hurry Love,” and “Stop! In The Name of Love.” I don’t think she has aged a day since The Supremes 1962 debut.

It wasn’t soon that Ms. Ross turned to her everlasting solo career with some of her top dance/disco hits, “The Boss,” “Upside Down,” and “Love Hangover.” There are no words for the energy she produced in the room. A few lucky fans were even lucky enough to be chosen by Ms. Ross to come dance alongside her during “Upside Down.”

Although Ms. Ross knows how to throw a party with a song, some of my favorite moments of the concert were when she slowed it down and simply sang. “Touch Me In The Morning” and “Theme From Mahogany (Do You Know Where You’re Going Too)” are always amongst my favorite moments from each show I have seen of hers. For this concert, my favorite moment was when she embarked on Billie Holiday’s “Don’t Explain.” No one will ever be able to sing a song like Holiday, but Ross also proved that no one can sing a song like her.

Then Ms. Ross began to close the show. This is a process at one of her concerts. It’s hard to come off the high of Ross. She begins with her first solo hit “Ain’t No Mountain High Enough.” This song immediately had me on my feet. And yes, she can hit all the same notes she could when the song was released.

Then comes her cover of Gloria Gaynor’s “I Will Survive.” Again, it’s impossible to sit as she walks the stage in her 5th gown of the evening belting a number everybody relates too. This is her closing number, but there is always room for an encore if the audience properly requests it (I’ve been to shows where she hasn’t returned). She closed the night with another one of her early hits “Reach Out and Touch (Somebody’s Hand).”

With each show I see of Ms. Ross’ I have always walked away amazed, not only from her pure musical talent, but the atmosphere she creates for an audience. When the music begins and her smile comes to the stage there is immediately a feeling of acceptance. When Ms. Ross sings she immediately erases your background, race, age, sexual orientation, or political affiliation. Her music and presence bring people together. This atmosphere is created through the love she portrays for every fan. It’s seen in the halls of the auditorium and the random dance partners found all over the concert hall.

I had two thoughts as I walked away from this show. First, entertainers just aren’t constructed the same as they once were. Ms. Ross comes from a land where autotune didn’t exist and dancers were not a necessity. She is the fully rounded performer.

My last thought walking away was, “When’s the next show?” I think I could see her a dozen more times and still want to see her again. Not many artists do this for me, and I’m often a tough critic, but it’s not just the music that brings me back. It’s the memories and love that I have wrapped up in her music and celebrity and how she brings this element together amongst everybody in the room. That is what keeps me returning.

Basically, when Ms. Ross enters a room, she makes it her house.

Coldplay: Parachutes; I’m Growing With It

I recently found out a friend is a really big fan of Coldplay, and that may be an understatement. He has seen them approximately 27 times since the beginning of their career.

Again, I am late to the game. I have never given Coldplay a fair listen. It’s not that I don’t like them. In 2011 I did purchase their album Mylo Xyloto and I loved it. I planned on getting into their music more, but then some other artist happened. Which speaks to the mantra of my life; so many artists, so little time!

Since my friend had such a conviction about the greatness of Coldplay, I decided it was time to dive into their catalog. I’m determined not to become distracted again (Well, until the next record sale). So I got on Discogs and purchased their first album from 2000, Parachutes.

On my initial listen I thought Coldplay was boring. It wasn’t anything like the album Mylo Xyloto. The album seemed melancholy and I really didn’t get excited about any of the songs. A few stuck out to me, but nothing I was going to put on repeat. Convinced this must not be one of their best albums, I texted my friend and expressed my feeling of indifference. I asked him if this was a boring album. Maybe there is better things to come? A progression in artistry if you will.

His reply: “It’s one of their best.” Clearly, I was missing something.

I gave it a second listen and read all the lyrics along with the songs. Then I gave it a third listen. Sometimes I find myself hating an album on it’s initial listen, but I fall in love with it on the third and fourth. Yet with Parachutes, I still find myself in the middle.

This album is not my favorite (at the moment), but it has given me a deeper respect for Chris Martin and Coldplay as a whole. I think Martin is a brilliant vocalist and the band writes intuitive lyrics. I do find this album fascinating, because often times the musical tones of the music do not match the lyrics.

As I listen to this album more, I am finding it more appealing and I am beginning to relate to their music. Oddly, I feel it somehow get’s me. The music is alive. Each song is up for interpretation, which gives this album an “I’m here for you” tone.

I may have gone off the deep end here.

My takeaways from this album are “Spies,” Yellow,” “Trouble,” and “Everything’s Not Lost” with “High Speed” coming in very close. These tunes are growing on me more and more, and I’m finding myself liking new songs with every listen.

So really I cannot write much about this album for I cannot figure it out, but I like it. I’m not ready to move on to Coldplay album two because this one has so many facets to it. This speaks to the brilliance of the album. How does an album that is nearly 17 years old speak relevance to listeners today? **Mind Blown**

So I would say that my Coldplay journey is starting out rather interesting. I’m excited about listening to their next albums like I haven’t been for a “new” artist in a long time. Martin’s voice has many layers and together the band makes penetrating melodies. Not to mention the lyrics are like clay and mold to different situations.

Parachutes is going to be on repeat for the next week. Although I feel this album is not going to grow on me, instead I’m going to grow with it.

Let’s Keep Walking

It’s been a while since I’ve posted, but it isn’t for a lack of spinning. My life season is beginning to speed up and I have been enjoying music with no strings attached.

I’m also attempting to listen to EVERY vinyl in my collection and it’s taking a while. I’m discovering new jewels while relishing in favorites. I’m listening to my collection by artist.  By not writing about what I am listening too, I am sparing you 50 posts over Judy Garland.

Although, a theme has risen through the music I have been listening to at home and work. I have been gravitating towards songs and artists that I feel empowered through. I’m listening to songs that tell me “I’m worthy.”

I am not necessarily going through a depressed stage of my life, but it isn’t my happiness by no means. I need a pick me up. Here are some of the artists that have inspired me to keep walking lately.

As with all my lists, they are in no particular order.

1. John Legend

I have been a fan of Legend on and off for many years now. Recently I have been intently listening to his latest release, Darkness and Light and his first release, 2013’s Get Lifted. What I love about Get Lifted is its straight honesty and how Legend styles hip hop. Darkness and Light has become special to me as I have become more socially aware. Although I am a white male, when legend sings “There is power in the color of my face” in “I Know Better,” it not only brings awareness to problems our society is still facing, but it also reminds me that we are all unique and contribute to God’s vast world.

2. Beyoncé

Sorry B, couldn’t wait for an official release of Lemonade on vinyl.

Beyoncé strives to provide empowerment for women and African-Americans on her albums, especially with her last two releases Beyoncé and Lemonade, but that doesn’t mean they don’t have a universal message. As a by-product of her mission, I have also seen that I can be comfortable in my own skin. I just feel pumped to be me when I hear the likes of “***Flawless” and “Formation.” Again these are songs that speak to me as I have begun to dissect my surrounds and become aware of our society. I am not discrediting this, I just think it’s beautiful that she can speak to anybody in any circumstance through her music’s message.

3. Reba McEntire

Now it is not everyday you see Beyonce and Reba in the same list, but my versatile ear is unpredictable from hour to hour. Reba’s latest album, Sing it Now: Songs of Faith and Hope has spoken to me in a way an album hasn’t in many years. Reba is very special to me (read about that here) and this album has helped me as my faith has been growing lately. There is not a more poignant message then her latest single “Back to God.” This world would be a better place if we just gave it back to the Creator and lived the true message of what it means to be like Christ (I will have a full post on this album soon). For unbelievers, I think the universal concept here is if we only would love each other and lay ourselves down for the goodness of others and the world, we could create a better place one action at a time. Below is my favorite lyrics and Reba’s conviction gives me chills.

“You gotta cry, rain tears of pain

Pound the floor and scream His name

‘Cause we’re still worth saving”

So although taking steps into the hurdles of our days may be burdensome and heavy, we have to realize we all have something to contribute to this world, we are all-powerful, and we need to love each other more. If we could realize these simple truths we would truly give this world back to God, and serve a higher purpose than ourselves. We would serve others.

Basically there is power in all of our faces, we must sing and act on faith and hope, and slay while we do it. This world is worth saving.

 

 

Cher: The Sonny Side of Cher, A Review

Anybody that knows me or has just steadily kept up with my blog knows that I am unapologetic Cher fan. I have nearly all her albums (at one point I had all, long story), read numerous books on this legend, and I continue to buy concert tickets whenever she performs. Naturally, I would have to write about her for Women’s History Month.

img_3489Tonight, for a little nostalgia, I decided to revisit The Sonny Side of Cher. This album is important to understanding Cher’s career trajectory and how she became the artist she is today. I truly believe she is one of the best, yet underrated, vocalists of our time.

The Sonny Side of Cher opens with Cher’s biggest solo hit to that time “Bang, Bang.” This Sonny penned tune is a tale of two lovers explained as children. I love this composition. I love the exotic feel this song brings. It sounds a bit country at times, it is definitely pop, it takes advantage of 60’s folk, and there is a little Scottish flare for fun. It’s easy to see how this song claimed the number 2 spot on the Billboard Hot 100.

“Elusive Butterfly” and “The Girl From Ipanema” are among Cher fan’s favorites from this era in her career, but the songs that really take the cake for this album are “Old Man River” and “Like A Rolling Stone,” a Bob Dylan cover.

“Old Man River” comes in at number 1 on this album for me, right behind “Bang Bang.” When I hear Cher sings this song I just picture tears streaming out of some bodies deeply wounded eyes. I literally feel I can reach into this song and drench myself in emotion.

If you have any interest in Cher’s career or the culture of the 60’s, this album is essential. As a bonus, this record is sprinkled with Phil Spector’s fingerprints as Sonny Bono, once Spector’s employee, produces the full album. This is pre “glam” Cher, but post “I Got You Babe” Cher. This small era in her career was a gem in her soon to be legendary status.

Key Tracks: “Bang Bang (My Baby Shot Me Down),” “Elusive Butterfly,” “The Girl From Ipanema”

Deep Cuts: “Old Man River,” “Like a Rolling Stone,” “Where Do you Go”

 

Dolly Parton: My Top 5

For my celebration of Women’s History Month, I have neglected to write about a legendary country artist. To be honest, it is hard to narrow down the Queens of Country music. There are so many, from Patsy and Loretta to Reba and Tammy.

I’ve touched on many of them throughout the tenure of my blog. I have always wanted to write about Patsy Cline, but I’m still searching for words. So I decided to ask my mom, who knows my music taste better than anyone, on who I should write about next. She promptly reminded me that I had not written over one of the most influential female vocalists that does it all, from writing and producing to singing and performing. For my 5th installment, I bring you my top 5 favorite Dolly Parton songs.

I have been a Dolly Parton fan since the seventh grade. It’s odd that I remember this exact time, but I remember I first became interested in her when I saw her on the Conon O’Brien show. She was promoting her latest album, Little Sparrow. Like so many artists with me, it was all down hill from there. I haven’t stopped listening to her music since and I always check the record racks for more of her vinyl.

1. “A Tender Lie”

This song was originally sung by Restless Heart and was their last number one on the country charts. Parton gives it a tinge of classic country and a full bluegrass makeover. Her voice is so fragile on this song, but we all know the strength she possesses. This song was a perfect choice for her Little Sparrow album and Sugar Hill trilogy.

2. “Here You Come Again”

I love so many aspects of this song, from the opening piano riff to Parton’s sassy and sarcastic vocals. Every time I think somebody is gone and they return, my mind always sings this song. This is classic Dolly at her 70’s best.

3. “Joshua”

Parton has some of the best story telling skills of any musician. She encompasses every theme of country music. She often does this through creative stories, not personal accounts. This is part of her legacy. “Joshua” came out in 1970 and was Parton’s first number one hit.

4. “Light of a Clear Blue Morning”

I discovered this song a few years ago when I lived in Oklahoma. Thanksgiving was coming up and I was feeling really down about my family situation. I grew up in a tight-knit family that just seemed to fall apart for selfish reasons and holidays always brought that to mind. This song was a comfort for me and for a bright future ahead.

5. “He’s Alive”

Throughout my faith journey, I have found many of Parton’s songs to be inspiring (“Raven Dove,” “Hello God”). I adore how she stands up for her faith unabashedly without the judgment of others. She shows the love of Jesus through her spiritual compositions, performances, and actions. The video above is one we all know. It is her legendary performance of “He’s Alive” from the 1989 CMA awards. I get chills every time I hear this song and see this performance.

These are my top five favorite Dolly Parton songs at the moment. It’s safe to note that this is a fluctuating list and it is not comprehensive. I would need a list of 20 songs or more to truly list all my favorite Parton songs and then I’d still miss many!

Dolly Parton is one of country music and America’s greatest treasures. I have yet to see her in concert, but I will make it soon. The fact that she is still creating new music and states that she has 100’s of songs she hasn’t recorded blows me away. She can’t stop making albums; we must not let her!! I will gladly sit and wait for every last note.

 

Liza Minnelli, New Feelin’: She’ll Do As She Pleases

For my fourth installment for Women’s History Month, I bring you Liza Minnelli! I was extremely excited to see her Facebook live event this week with Michael Feinstein. You can watch that video here. Ms. Minnelli looked amazing and most importantly, she looked happy!

It was also Ms. Minnelli’s birthday yesterday, Sunday, March 12th. The legend turned 71 years old, but she shows enough energy to compete with any of today’s entertainers. Michael Feinstein also dropped a little teaser on his Facebook that he and Ms. Minnelli are working on shows for 2018, of which I have to say…..

Liza, take your time. We’ll still be here ready for you when YOU are ready.

With all this Minnelli excitement, I decided to revisit one of her albums that has always stood out to me, her 1970 release, New Feelin’. This album took on a new direction for Minnelli and it gave many many American standards a new identity.

This album takes songs like “How Long Has This Been Going On?” “The Man I Love,” and “Can’t Help Lovin’ That Man of Mine” and gives them a pop and soulful twist with a hint of folk stylings. We all know Minnelli can deliver these American classics unlike any other artist, but this album presents them in a completely new way.

Fun Fact: This record was recorded at Fame Recording Studios in Muscle Shoals, Alabama.

The album starts out with a funky, horn-filled version of “Love For Sale” by Cole Porter. She then immediately goes into the classic ballad “Stormy Weather.” This song is filled with heavy piano and gospel inspired background vocals. Then comes one of my favorite tracks from the album, “Come Rain or Come Shine.” This song sounds like something straight out of Motown’s vault if Motown was located in Nashville. Then there is that ending note that just doesn’t stop shining.

Side Two also comes with plenty of new experimental arrangements of these classics. “How Long Has This Been Going On” is mixed with an enthusiastic horn section and sounds Americana in style. Then Ms. Minnelli covers Billie Holiday’s “God Bless The Child, a song she would sing to near perfection two years later on her award-winning TV concert, Liza With a “Z”. This version adds more backing vocals giving it a doo-wop feeling mixed with gospel stylings.

Lastly, there is Ms. Minnelli’s standard, “Maybe This Time.” This takes on a completely new image. This starts out as pure country. As the song progresses, it begins to take on a blues facade with rhythmic bass, horns, and melancholy backing vocals. Although this song does not have its usually dramatic deliverance, it is still a gem in its own right. This song is about taking that first step to self-fulfillment. Ms. Minnelli delivers this message with the same conviction she always does, but just a little more casual.

This album takes songs that people twice her age at the time were singing. She was known for performing these same selections in her live shows. On New Feelin’, she gave these compositions a twist of her own. Her vocals remained constant, shattering every ceiling, but they still felt right with these different arrangements. Ms. Minnelli just does as she pleases.

Revisiting this record has me pumped for what Ms. Minnelli is planning for her fans, but more importantly, it has me excited for where she is in life. I hope and pray she is truly happy, relaxed, and self-assured that she is loved. In her recent interview with Michael Feinstein, Ms. Minnelli spoke directly to her fans stating, “You are what make me happy. I mean it….and I love you.” You hear celebrities say that all the time. The odd thing is, Ms. Minnelli sounds like she means it. I know she meant it.

So join me in celebrating Ms. Minnelli’s career and whatever she damn well pleases to do.

Unfortunately, this album is not on Spotify, but I did find these on some of her compilations.