In continuing with my alphabet series, I, like most people reciting the alphabet, came to the letter “F.” To be honest, I’m not sure if it is a widespread issue, but I did not have very many artist associated with the letter “F.”
Now I am no expert on Fitzgerald, but from what I can tell she was nothing but highly acclaimed. She sang many “Songbooks” from composers, as well as recording original material. Her label at the point of this record was Verve which was actually created around the production of her albums.
I love a good Jazz record and Fitzgerald is one of the best, but I noticed something new as I listened this time around. I am familiar with many old blues and jazz artists, but I find one of the most influential figures in this musical movement is Lady Day, Billie Holiday. Fitzgerald seems to be an extension of where Holiday left off due to her untimely death.
Jazz and blues music seems to encompass everything from arrangements, to instrumentation, to vocal styles. You can hear a song from this genre sung 100 different ways and every way be as good as the next. Vocals were flexible and nothing is out of bounds.
Fitzgerald continued to innovate and play with jazz and blues music through her vocal phrasing and her legendary scatting ability. One can point back to many of her vocal styles that encompass later pop vocalists. I thought I even sensed some rockabilly tendencies at times. Her vocal stylings were not exclusive to her genre, but universal to the sculpting of future performers.
The album opens with “Somebody Loves Me,” a tune about looking for the one who loves you (and it could be you!). She then goes into a vulnerable subject in “Cheerful, Little Fearful,” explaining the reluctance of hearing “I love you.” This song is especially interesting considering that this could make a great ballad, yet it is offset by a compulsive beat and rather “happy” vocals. Side One ends with “Cool Breeze.” You may have trouble looking up the lyrics to this one, it’s pure scatting.
Side two opens with “Moonlight Become You,” a beautiful ballad of the simplicity of love. She does a great version of “You Turned The Tables on Me” and goes straight into a big band interpretation of “Gypsy in My Soul.” The real gem on this side is “Goody Goody.” This song will have you laughing and Fitzgerald’s deliverance has perfect comedic timing. She’s so happy her ex found someone else (goody! goody!), but is also happy when she breaks his heart (goody! goody!).
I fell Fitzgerald’s vocal abilities transcend time. She sounds just as fresh and crisp when compared with modern vocalists. Where Billie Holiday poured a foundation, Ella Fitzgerald built a house. For this music lovers we should be forever grateful, for I’m not sure what later music would have sounded like with out the influence of Fitzgerald and modern jazz music.
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Christian. Oklahoman. American. Vinyl enthusiast.