First let me start by asking forgiveness from all my fellow country music enthusiasts. I have a terrible debt that I must confess.
I’ve barely ever listened to George Strait.
I truly apologize. He has charted 44 number one singles on the Billboard charts and has 60 number ones when counting other charts. He has also sold nearly 100 million records worldwide. To say the least, I’m late to the game.
What better day to educate myself about the King of Country then the eve of his birthday? I have around 4 of his albums in my collection due to my mom buying them for me. She always buys albums for me when she finds them. We are both constant garage-salers and thrift store hoppers.
In one of the piles that my Mom bought me was George Strait’s Does Fort Worth Ever Cross Your Mind. Honestly, I didn’t think much of the record. I already had other country favorites and I was really tired of hearing how amazing Strait was, then there is my mom’s endless talk about his butt.
Does Fort Worth Ever Cross Your Mind was released in 1984 and quickly shot its way to the top of the Billboard country chart. This album generally comes a little late in country music for my tastes. I don’t listen to much 1980’s country unless it’s The Judds, Reba McEntire, or Dwight Yoakam. I’m more of a 1960’s and 1970’s classic country fan, but yet again, I have been proven wrong.
This album opens with the title track “Does Fort Worth Ever Cross Your Mind.” To my surprise Strait’s vocals didn’t remain on a stagnant line like I always thought, yet they came full of tear drops and intricate country stylings. This broken heart ballad comes with all the fixens’: pleadin’, reminiscin’, and drinkin.’ It’s the sequel to “By The Time I Get to Phoenix.”
Next is one of my favorites, “Any Old Time.” It comes with a heavy country swing rhythm and some rather fancy fiddlin’. Strait was clearly no longer thinking of Fort Worth.
“Honk Tonk Saturday Night” finishes out side A. This song is another ballad of sorts that echoes Loretta Lynn’s “Honky Tonk Girl.” Strait’s vocals convey the same contentment and loneliness Lynn’s did years before.
Side B starts with “I Should Have Watched That First Step” and “Love Comes From The Other Side of Town.” Both of these songs have classic country themes with a little extra boot scootin’ mixed in. The true highlights of side B though are the last two singles from this album “The Cowboy Rides Away” and “The Fireman.”
“The Cowboy Rides Away” is 80’s country at it’s best, sprinkled with the heritage of the legends before. It’s the confidence in Strait’s voice that catches my attention. Although the song comes from a vulnerable state (a breakup), he finds his confidence in riding away, knowing there will be something else along the path. That mixed with the instrumentation of this song makes this an undeniable hit.
Lastly, we have “The Fireman,” the last single from this album. It’s a close relative to “Any Old Time.” I can imagine a group of couples two steppin’ to this song easily. Strait’s consistent vocals give this song sustainability while showing Strait’s versatile vocal ability.
So as I sit here on the eve of George Strait’s 64th birthday, I find myself musically improvished. I hate the fact that I have not given Strait the time he deserves until now. What I find the most exquisite about Strait is how his voice is always stable. It never seems to give out or lose pitch, but it always conveys a direct fluid emotion.
With the discovery of George Strait, I have realized I am just another honky-tonk boy. You see, honky tonkin’ is a style of living. It’s about hitting the high of highs and the low of lows while maintaining a sound character. That’s what Strait’s voice, the longevity of his career, and his character portrays. When was the last time you saw George Strait in the tabloids?
I now realize I have always been a honky-tonk boy. Now I have a Strait road to travel.