I love real country and western music. The material that is released today is something, but it is not founded in what was once country. Give me music with endless fiddles and steel guitars, and I’ll have it made.
This weekend I did just that. I found the perfect pure country show. It was in a little theater in Collinsville, OK. This show was held in the Herron’s Crown Opry Theater on main street. I had gathered word from a few websites and friends that Leona Williams, along with her son Ron Williams, would be gracing the stage at this renovated movie theater.
I am used to traveling many hours and miles to see my favorite singers and performers, but this time it was different. Instead of traveling hours to go to an arena to see a huge over produced show, I found myself speeding down the turnpike to find small town Oklahoma. I have spent $100’s on tickets before to these concerts, yet the ones for this show were just a mere $10. There was one big difference between the tickets I have spent $100’s on and this $10 show.
I wasn’t in the least bit disappointed
The show began with a local act, Will Clark and The Back When Country was Country band. They played a great set showing that country purist do not stand alone. Next, Ron Williams took the stage. It’s always a pleasure to hear him sing. He is country to his core and easily echoes many of the greats like Merle Haggard, Conway Twitty, and George Jones.
Then it was time for the main event, country pioneer Leona Williams. Some remember Leona from her work and marriage to Merle Haggard, which was littered with musical gems, but Leona’s solo music she made before Haggard and now after is simply country gold.
It wasn’t long after Williams took the stage that she went into one of my favorite songs, “Yes Ma’am (He Found Me in a Honky Tonk).” This single was released in 1970 to rave reviews and garnered Williams some serious air play. It sounds just as good today as it did in 1970, except when she sings it now, I think she is reminiscing. I don’t think Williams frequents honky tonks.
Williams’ show covered so much ground of both the history of her career and the history of country music. She is a gifted storyteller and had many stories to tell over her relationship with Merle Haggard and her close friendship with George Jones. These first hand anecdotes are priceless.
Around the middle of the show, Williams sang “You Take Me For Granted” and “Someday When Things are Good,” which were both number one hits for Merle Haggard. She also sang Connie Smith’s smash hit “Dallas,” which she also wrote. Although these songs by their “original” artists are classics, there is something different hearing them from the songwriter. There’s more honesty and sincerity. You can hear the connection to the heart. Leona is at her best singing songs she wrote.
Williams covered some of her more recent recordings which include “Melted Down Memories” and “New Patches.” Her new material is great and is just as good as anything she has released. She is still on the top of her game. She doesn’t know how to give less than 100%.
She closed out the show with some good fashioned country gospel. What I love about country gospel is its sincerity. You can sense the faith in the music. First she sang with Will Clark and her son Ron Williams, “Sing Me Back Home.” She then went into “I Saw The Light” and “I’ll Fly Away” with her son Ron. This was one of the biggest highlights of the show. There was an aura between Leona and Ron that only a mother and son could create. Their warmth was felt throughout the whole theater and their genuineness struck home with every patron.
This was my second time I have seen Leona in concert, and this time I realized just why I am a fan. Leona not only sings pure country music, she sings clear country music.
Leona’s music is completely untainted by any modern trends. She keeps country music alive with each note. Her singing is sterling silver and music unadulterated. She proves that real, unfiltered, clear country music doesn’t need anything new.
Simply put, when the old garment is country music, there is not any need for new patches.
Check out my review of Leona Williams’ and Merle Haggard’s album, Heart to Heart, here.