Artist: Steve Lawrence Album: Winners!
I adore Steve Lawrence and Eydie Gormé. Every album they made as a duo or as solo artists I can spin continuously. There is a carefree, genuine love that comes with their albums made together and their solo vocal chops are equally golden.
One of my favorite albums out of Steve Lawrence’s catalog is his 1962 album Winners! This record contains the number one hit single “Go Away Little Girl,” co-written by a then unknown Carole King. Bobby Vee originally recorded this song earlier in 1962.
Winners! is an album of cover songs. The idea behind the album was to find previous song “winners” and let Lawrence give them his golden take. Listening to this album one would never guess that Lawrence was covering other’s songs because he makes each song his own.
The album starts with “Cotton Fields,” which was originally recorded by Huddie Ledbetter in 1940. This is a quick audience grabber as Lawrence’s vocals swoon over this folk classic. Later he goes into Connie Francis’ smash hit, “Who’s Sorry Now?” This is one of the high points of the album. He takes this song and turns it completely on its head. His vocals are confident and crisp, and all but resist the stinging tone of an “I told you so.” Lawrence’s vocals have class and debonair wrapped into one.
The second side of this album contains “Go Away Little Girl,” but the treasures on this side are Lawrence’s covers of Frank Sinatra, Andy Williams, and Jack Jones. I would think it would be a bold move for Lawrence to cover his contemporaries songs, but the orignal artist names don’t even cross your mind when listening to his versions.
Lawrence’s smooth vocals gently caress “All The Way,” while he portrays determination to never give up on the one he loves. His rendition of “Moon River” starts out with the conventional beginning, but he ends it with a big band. Lastly, he covers one of my personal favorites, “Lollipops and Roses.” He again is backed by a big band and he gives this song a less vulnerable feel then the original, portraying faith and confidence in his romantic tactics.
Besides the fact that I like this album, it is special to me for other reasons. I sent my album cover with a writing I did over an album Steve and Eydie made to an address I found for Lawrence. It was a shot in the dark, but I wanted to try to get his autograph. It wasn’t much more than a week later he sent it back to me with the inscription
“To Gabe, Thanks for all the wonderful things you said about me and Eydie. All the best to you. Fondly, Steve Lawrence.”
This album holds a special spot on my shelf, for both its recordings and the special inscription Lawrence sent to me. As a vocalist myself I consider him one of my models. As a writer I could not be more thrilled that he actually read my post over him and his late wife Eydie Gormé.
Lawrence is just a class act and his vocal cords are plated in gold.
Key Tracks: “Go Away Little Girl,” “Kansas City,” “It’s Not For Me To Say”
Deep Cuts: “All The Way,” “Who’s Sorry Now,” “Teach Me Tonight”