If you cannot listen in color, then Bond Villain is not the artist for you.
Already in Bond Villain’s limited releases, he has released numerous songs with different facades. He’s a master of reinvention if you will, and his music is innovative. He takes a slice from nearly all-popular musical styles while still maintaining a distinct sound.
How is it innovative? The best way to describe his music is to rid yourself of all ideas of genre. His music doesn’t fit one mold, yet it takes on different shapes cinematically. From the vocals to the music’s orchestration, his music is constantly moving, morphing shapes, and changing colors. It simply doesn’t fit into a category.
Bond Villain’s newest release, “Break On Me,” is no exception. Beginning with melodious piano riffs, the song escalates into dramatic choruses mixed with everything from strings to keyboards. This song has balladesque tendencies mixed with musical warfare. The lyrics are equally perplexing wrapped in what should be simple concepts.
I recently spoke with Bond Villain about his new single “Break On Me,” its inspiration, and how it fits in his young, but varied musical catalog.
What is the overall meaning of “Break on Me?”
‘Break On Me’ is all about vulnerability. When you fall in love with someone, you don’t just experience a new depth of affection – you understand a whole new spectrum of fear, insecurity, and hardship that comes with it. Before love, you are working to protect yourself from hurt and heartbreak. After love, you learn that all things become more meaningful, pleasurable, and painful when you have someone to die for. The term “break on me” refers to this reciprocal vulnerability that occurs, and asking the other person to trust you as you trust them – to experience the good and terrible parts of life together.
This is a detour from Bond Villain’s recent releases. What has returned you to the ballad piano style from your first EP’s, “Let Me Go?”
I absolutely love the sounds that ‘Blackguard’ and ‘What’s Wrong With Me’ bring to our set, and they seem to fill a wonderful space for people who listen to Bond Villain. With that said, the kind of sound from ‘Let Me Go’ and now ‘Break On Me’ is the core of what Bond Villain truly is – epic, conflicting emotions over a powerful range of instruments and sounds. I will always want that drama at the center of my music. It is those ballads that tend to transcend time and fashionable genres.
Who were the primary writers of the song and how did you reach the final conclusion together?
I initially brought the bare-bones idea of this song to my producer, Jean Christophe Santalis, and my co-writer/vocalist, Kimberley Locke, in the form of a piano line and a draft of the lyrics. Over time we fleshed it out into the ballad/pop/orchestral hybrid you hear today. It was fun in particular to collaborate with Kimberley on the vocals – Her ability and delivery is pretty much unparalleled, so having an opportunity for our voices to play off each other, line by line, was a great experience.
What’s next for Bond Villain after this release?
We have a music video and new song coming in October at Halloween – keep an eye out for ‘Die For You.’ Pretty much the most badass song Bond Villain has created so far. We have a few shows in the hopper for the East Coast that we will be announcing soon as well, so everyone should stick to our social media for upcoming news!
With this song, Bond Villain uses many of the techniques he has used previously, yet he still moves the needle forward. There’s always a new mold to be made, a new shape to conquer, more shades of color to discover.
Which made me wonder, what is the exact definition of color? Google states that color is “the property possessed by an object of producing different sensations on the eye as a result of the way the object reflects or emits light.”
That is the pinpoint of “Break On Me” and the epitaph of Bond Villain’s musical inventory.
Now stop reading and just listen to the damn song.
Purchase “Break On Me” on iTunes HERE
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Spiritual. Thinker. Music fanatic. Vinyl enthusiast.