Coldplay: Parachutes; I’m Growing With It

I recently found out a friend is a really big fan of Coldplay, and that may be an understatement. He has seen them approximately 27 times since the beginning of their career.

Again, I am late to the game. I have never given Coldplay a fair listen. It’s not that I don’t like them. In 2011 I did purchase their album Mylo Xyloto and I loved it. I planned on getting into their music more, but then some other artist happened. Which speaks to the mantra of my life; so many artists, so little time!

Since my friend had such a conviction about the greatness of Coldplay, I decided it was time to dive into their catalog. I’m determined not to become distracted again (Well, until the next record sale). So I got on Discogs and purchased their first album from 2000, Parachutes.

On my initial listen I thought Coldplay was boring. It wasn’t anything like the album Mylo Xyloto. The album seemed melancholy and I really didn’t get excited about any of the songs. A few stuck out to me, but nothing I was going to put on repeat. Convinced this must not be one of their best albums, I texted my friend and expressed my feeling of indifference. I asked him if this was a boring album. Maybe there is better things to come? A progression in artistry if you will.

His reply: “It’s one of their best.” Clearly, I was missing something.

I gave it a second listen and read all the lyrics along with the songs. Then I gave it a third listen. Sometimes I find myself hating an album on it’s initial listen, but I fall in love with it on the third and fourth. Yet with Parachutes, I still find myself in the middle.

This album is not my favorite (at the moment), but it has given me a deeper respect for Chris Martin and Coldplay as a whole. I think Martin is a brilliant vocalist and the band writes intuitive lyrics. I do find this album fascinating, because often times the musical tones of the music do not match the lyrics.

As I listen to this album more, I am finding it more appealing and I am beginning to relate to their music. Oddly, I feel it somehow get’s me. The music is alive. Each song is up for interpretation, which gives this album an “I’m here for you” tone.

I may have gone off the deep end here.

My takeaways from this album are “Spies,” Yellow,” “Trouble,” and “Everything’s Not Lost” with “High Speed” coming in very close. These tunes are growing on me more and more, and I’m finding myself liking new songs with every listen.

So really I cannot write much about this album for I cannot figure it out, but I like it. I’m not ready to move on to Coldplay album two because this one has so many facets to it. This speaks to the brilliance of the album. How does an album that is nearly 17 years old speak relevance to listeners today? **Mind Blown**

So I would say that my Coldplay journey is starting out rather interesting. I’m excited about listening to their next albums like I haven’t been for a “new” artist in a long time. Martin’s voice has many layers and together the band makes penetrating melodies. Not to mention the lyrics are like clay and mold to different situations.

Parachutes is going to be on repeat for the next week. Although I feel this album is not going to grow on me, instead I’m going to grow with it.

‘Twas Like a Breath of Spring

FullSizeRender 8My music ADHD has been working overtime lately. I am currently listening to a Judy Garland box set I found a while back at Trolley Stop Record Shop in OKC, but I just finished listening to Courtney Barnett. Those artist aren’t in the least bit comparable.

Garland is a long time musical friend of mine. I often cite her as my ultimate favorite singer and that is mostly true. I found this box set of her recordings she made for Capitol. One never knows what recordings they will hear on these sets! She made so many studio and live recordings of songs. Any vinyl find of hers is a treasure trove full of Garland.

Then I have Courtney Barnett. I recently found the 1st addition of her debut album, Sometimes I Sit and Think and Sometimes I Just Sit. The 1st edition vinyl is orange and some came with a slipmat (I was blessed to find one). She had been listed on many “best albums of 2015” lists including Pitchfork’s. Naturally, she struck my interest.

IMG_2141I enjoyed Barnett’s album more than I thought I would considering I usually listen to everything pre 80’s. Sometimes I have to remind myself that there is still good music being released today. Barnett’s voice and style is intriguing. She is completely original, yet I find her to posses a mixture of Joan Jett and Karen O. There will be more to come on this album.

Lastly, between all my other random choices, I have been consistently listening to Jody Miller. As one of my good friends says, “Jody is a songs best friend.” I have been experiencing that over and over again. Her album, There’s a Party Going On, really has me hooked at the moment. This album contains her Billy Sherrill produced hits, “There’s a Party Going On,” “To Know Him is To Love Him,” and her duet with Johnny Paycheck, “Let’s All Go Down to The River.”

Although these are favorites, my ultimate favorite off this album is her rendition of “Delta Dawn.” Did you know she recorded it before Tanya Tucker? Her version is very different, but it would have been a huge hit. As I listen to Miller more I notice how she is the “original original.” She is a legend that goes underappreciated.

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So spring has been good to me so far. I’ve made new friends while continuing to get to know old ones. Who knows who will pop up next?

Did I mention I’m also into Alice Cooper at the moment too?