PLAYLIST: Slaying Since The 60’s, Happy Birthday Cher!

Today is a musical holiday. They should stop the presses, close the banks, and hold the mail. It is the Prime Minister of Pop, Cher’s Birthday.

I am going to take a gamble that you have probably not heard Cher regarded as the “Prime Minister of Pop.” Often times we hear loads of people saying that Madonna is the “Queen of Pop.” Cher fans argue otherwise, but to be honest, being the queen is beneath Cher.

Let’s take a step back into our English Government Class or lack there of. We all know there is a Queen, but England is no longer a dictatorship. Today the title is held mostly ceremonially with limited powers. The position with all the decision-making is the Prime Minister.

In the case of music, we have a queen of pop based on pedigree, Madonna, then we have the Prime Minister of Pop, Cher, who gets sh*t done. Cher was the original female pop star, garnering 3 number one solo hits in the early 1970’s with countless other charting hits. She had a show with her husband Sonny Bono and when that ended in divorce, she had her own popular variety show. At the same time she quickly became a fashion icon with her over the top costumes and hip length straight black hair. She is even the first lady to ever show her stomach on TV.

Cher didn’t need a shock factor. She didn’t have to roll around and moan in a wedding dress. She used her natural sex appeal and underrated vocals to pave the way for future female pop stars.

Today, in honor of Cher’s legacy, I have created a list of my favorite Cher songs. They are not in any particular order, because it is impossible for me to rank them nor is this list conclusive. They go from obscure to huge hits and from the 1960’s to today.

“Bang Bang (My Baby Shot Me Down)” (1966)

This is one of Sonny Bono’s greatest pop inventions. “Bang Bang” has now been covered by numerous artists over nearly every genre. It takes love and encapsulates it in a child’s arms showing both the simplicity and intricacy of this emotion. Cher “remixed” this song on her 1987 self titled album. I have included the original here, but here is a link to the other. This remix shows how versatile Cher’s vocals are and also how Cher’s voice has grown over her career.


“Classified 1A” (1971)

This song barely ever sees the light of day, but it is one of Sonny Bono’s greatest musical masterpieces. The song tells the story of a woman being told that her husband has been killed in a war. “Classified 1A” was released in the midst of the Vietnam War in 1971. Cher can stylize with the best divas, but the raw emotion she portrays on this recording is hard to come by. She has always has a way of shooting straight to the heart through her deliverance of ballads and this is one of her best.


“Train of Thought” (1971)

This should have been a huge hit! I don’t know the exact story of this song, but it has all the mechanisms of a number one. It’s one of those songs that just gets my blood flowing.


“By Myself” (1973)

Easily one of Cher’s least successful albums, Bittersweet White Light, is a diamond in the rough. Within this album, she visits the American Song Book that she has expressed much love for. This is one of the best tracks from this album, but her Jolsen Melody and her take on “The Man That Got Away” should not fall on deaf ears.


“Take Me Home” (1979)

This song makes me want to go struttin,’ much like John Travolta in Staying Alive. The beat is infectious and roller skates are a must. Mixed with Cher’s sex appeal, this record is classic. She could take me home any day…..


“We All Sleep Alone” (1987)

As children we are taught to aspire to have a spouse and a family. We are surrounded by images of the nuclear family that never really existed. What they didn’t tell you was that we are all alone in the end. While being a dark and cryptic song to say the least, Cher lives this song as her power house vocals lay across this power ballad.


“Save Up All Your Tears” (1991)

This is the best song to belt in your car when you are mad at someone. Try it.


“The Gunman” (1995)

This is one of Cher’s best vocal performances. Her warm voice shivers down my spine as she speaks of love having no mercy. She again shares her raw emotion from experience. It leaves you thinking and hitting the repeat button over and over again.


“Our Lady of San Francisco” (2000)

This song comes from, Not.com.mercial, the only album Cher wrote nearly every song. She sings of a homeless woman and how she is looked at as garbage on the street. She speaks to humanity and how many times we have become inhumane. Helping people with the basics is dear to Cher’s heart as seen in her acts of kindness in countries like Armenia and the current Flint water crisis. To this day this album, has not been widely released.


“Love One Another” (2001)

Okay, only two more. This song is from Cher’s 2001 release Living Proof. It is a “filler” song, but Cher, nonetheless, gives it her all. I think she might just believe in its message.


“Lie To Me” (2013)

Cher knocks another ballad out of the park. This time she doesn’t quite use those soaring vocals that she is well equipped with, yet she stays in a modest tone. The beauty of this song is all in her conviction. This comes from her latest studio album in 2013 and is the only true ballad on the entire album. I love EDM Cher, but her voice is magnificent stripped down.


“You Haven’t Seen The Last of Me” (2010)

Lastly comes one of Cher’s songs that has helped me out the most in life. Once I hit my adult life, I have found myself kicked down by career, relationship, and life choices just like everyone does. It is always easy to back up into a corner, but you can’t. Cher is a living example that lying down is never an option. I’ve had this song on repeat many times and belted it off-key. It is really the best thing that came out of Burlesque. 

As it is often said with Cher: “After the nuclear holocaust there will be cockroaches and Cher.” Don’t let them ever see the last of you.


As these videos and a proper lesson in music history makes clear, Cher is the first female pop star to call all the shots. She pushed the envelope, but she did not need a shock and awe factor. Her raw talent catapulted her into the icon she is today. She became a legend when there wasn’t a legacy to follow.

Basically, she slays.

So on this day we celebrate Cher’s 35th birthday once more. While I’m lowering my flag to half staff, I’m ok with calling Madonna or one of those other little pop starlets the queen of pop. It’s just an honorary title. Remember, everybody on the tball team gets a trophy.

And while queens have tiara’s, Prime Ministers have headdresses, because you don’t need to see what’s around them while you follow. There is nothing to see. They are paving the way while walking into uncharted territory.

But as always, the wise Cher summarizes her contemporaries perfectly.

Follow this you bitches.

ALBUM REVIEW: George Strait, Does Fort Worth Ever Cross Your Mind

First let me start by asking forgiveness from all my fellow country music enthusiasts. I have a terrible debt that I must confess.

I’ve barely ever listened to George Strait.

I truly apologize. He has charted 44 number one singles on the Billboard charts and has 60 number ones when counting other charts. He has also sold nearly 100 million records worldwide. To say the least, I’m late to the game.

IMG_2439What better day to educate myself about the King of Country then the eve of his birthday? I have around 4 of his albums in my collection due to my mom buying them for me. She always buys albums for me when she finds them. We are both constant garage-salers and thrift store hoppers.

In one of the piles that my Mom bought me was George Strait’s Does Fort Worth Ever Cross Your Mind. Honestly, I didn’t think much of the record. I already had other country favorites and I was really tired of hearing how amazing Strait was, then there is my mom’s endless talk about his butt.

Does Fort Worth Ever Cross Your Mind was released in 1984 and quickly shot its way to the top of the Billboard country chart. This album generally comes a little late in country music for my tastes. I don’t listen to much 1980’s country unless it’s The Judds, Reba McEntire, or Dwight Yoakam. I’m more of a 1960’s and 1970’s classic country fan, but yet again, I have been proven wrong.

This album opens with the title track “Does Fort Worth Ever Cross Your Mind.” To my surprise Strait’s vocals didn’t remain on a stagnant line like I always thought, yet they came full of tear drops and intricate country stylings. This broken heart ballad comes with all the fixens’: pleadin’, reminiscin’, and drinkin.’ It’s the sequel to “By The Time I Get to Phoenix.”

Next is one of my favorites, “Any Old Time.” It comes with a heavy country swing rhythm and some rather fancy fiddlin’. Strait was clearly no longer thinking of Fort Worth.

IMG_2440“Honk Tonk Saturday Night” finishes out side A. This song is another ballad of sorts that echoes Loretta Lynn’s “Honky Tonk Girl.” Strait’s vocals convey the same contentment and loneliness Lynn’s did years before.

Side B starts with “I Should Have Watched That First Step” and “Love Comes From The Other Side of Town.” Both of these songs have classic country themes with a little extra boot scootin’ mixed in. The true highlights of side B though are the last two singles from this album “The Cowboy Rides Away” and “The Fireman.”

“The Cowboy Rides Away” is 80’s country at it’s best, sprinkled with the heritage of the legends before. It’s the confidence in Strait’s voice that catches my attention. Although the song comes from a vulnerable state (a breakup), he finds his confidence in riding away, knowing there will be something else along the path. That mixed with the instrumentation of this song makes this an undeniable hit.

Lastly, we have “The Fireman,” the last single from this album. It’s a close relative to “Any Old Time.” I can imagine a group of couples two steppin’ to this song easily. Strait’s consistent vocals give this song sustainability while showing Strait’s versatile vocal ability.

920x920
http://www.chron.com

So as I sit here on the eve of George Strait’s 64th birthday, I find myself musically improvished. I hate the fact that I have not given Strait the time he deserves until now. What I find the most exquisite about Strait is how his voice is always stable. It never seems to give out or lose pitch, but it always conveys a direct fluid emotion.

With the discovery of George Strait, I have realized I am just another honky-tonk boy. You see, honky tonkin’ is a style of living. It’s about hitting the high of highs and the low of lows while maintaining a sound character. That’s what Strait’s voice, the longevity of his career, and his character portrays. When was the last time you saw George Strait in the tabloids?

I now realize I have always been a honky-tonk boy. Now I have a Strait road to travel.